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To the young people in the professional audio engineering could be innovative lighting design as a dangerous road, because in addition to the necessary technical knowledge, it is essentially a work not constrained by the rules. Let's think about how a novice designer can do the stage lighting design.
With physics, academic knowledge, budget and time of these factors is different, the novice designers face the creative elements of lighting design will like staring at a vast blank, and expect to find a clue to do a better design, rather than a simple "assembly forming". In order to create this blank, it is helpful to master some key parameters that provide anchor points for the creative elements in the blank. In short, there are rules.
But what are the rules of lighting design?
The first thing to accept is that although the lighting design itself has no rules, the specific lighting design involves rules. We're talking about creating rules here, not the number of dimmers, or the hanging heights of the rear trusses. The lamplight stylist, want to know to the lamplight design however, know what it is.
"What is my motive? This has become a cartoonish cliche of a tragic character. In other words, motivation is the reason we do it, and so does the lighting designer. Every light element must have a reason to exist in theatres, clubs, performances, or concerts. There are reasons for the change in the light element or the change in the element.
Sometimes, it is easy to grasp the creative rules of lighting design. For example, in a naturalistic theater lighting design (or photography lights), is a big motivation through space and the location of the present to create specific scenarios. For example, this exterior is in France, a midday in August. The scene was in the almshouse of victor ria, at midnight... The rule here is very easy to understand, not only for the lighting designer, for performers and audience is the same: the midday sun is not purple will not glow from the ground, the workhouse midnight doesn't look like under fluorescent lights in a hospital. This kind of "real" light to reproduce, probably for lighting designer is the most easy to lock the target, because the light of the language in the world is easy to analysis and is known to others. This is natural for life on earth. Naturalism is often the starting point for new theater lighting designers, and they tend to be comfortable in these early designs.
Negative lighting design rules in professional sound engineering
The creative rules of the lighting design can often be seen clearly in the examples of the examples. In a business, a background light for the CEO can't be the subject color of a rival company, or the color of a presentation on the screen. Heart to heart when the speaker is talking about last year's losses, even feel most slow lighting designer will not destroy it for later announced that the company honor and to mobilize emotional atmosphere. The interactive roundtable will not want a dark auditorium and only a narrow spot on the stage.
There are also rules for music, although they are subliminal. In light design, the lighting effect needs to look different when you double-click on the hi-hat and tap the drum or the drum. The tonic guitar and bass guitar melody gives person's feeling is completely different, quiet without the accompaniment of songs and usually covered with white color light and all over the whole stage of light is the audience. Blue blues is not a bright melody. Traditional jazz and stroboscopic effects can't be coordinated, no matter how much you like them. Not only does everyone who is involved in the performance know the rules, but the audience knows it. This is where you can't get the right result.
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